Ghostface - The Parish - November 24, 2007

From the woke up with a sore throat department... Again... how many cars do they really move... Ghostface @ The Parish on Nov 24th with Rhythm Roots Allstars and our own DJ Mel. Once again... Free show... RSVP here.

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Man some dope shows roll in during Thanksgiving every year, I wonder how wise that is considering Austin's a college town and I bet the population drop like girls' pants when I walk in the room.



More info:

Dennis Coles (born May 9, 1970 in Staten Island, New York), better known by the stage name Ghostface Killah, is an American rapper. Ghostface first rose to fame as a member of the Wu-Tang Clan hip hop collective. After the group achieved breakthrough success in the early-mid 1990s, each member was free to pursue solo careers; Ghostface's would turn out to be one of the most critically and commercially successful of the group, regardless of, and perhaps due to, his loyalty to his obscure yet highly vivid lyrics and 1970's soul sound. Early in his career, he would wear a mask during performances and photo shoots; it was rumored that this was because Ghostface was wanted by the police and did not publicly remove it until his name was cleared. He is a former follower of The Nation of Gods and Earths and currently a Sunni Muslim. After converting, he changed his name to Abdul Raheem.[1][2]

Ghostface Killah debuted with the rest of the Wu-Tang Clan on "Protect Ya Neck" and "Tearz" from the Clan's critically acclaimed debut, 1993's Enter the Wu-Tang (36 Chambers). A roommate of Wu-Tang founder The RZA, Ghostface helped bring together the other seven members, and would function as executive producer on all the Wu-Tang Clan releases.

In 1995, Ghostface would guest star extensively on fellow Clan member Raekwon's debut album, Only Built 4 Cuban Linx.... He also contributed songs to the Sunset Park and Don't Be A Menace To South Central While Drinking Your Juice In The Hood soundtracks, which would be included on his first solo LP, Ironman, in 1996. The album, which debuted at #2 on the Billboard 200, had a more pronounced soul influence (particularly 1970s soul) than previous Wu-Tang releases, and Ghostface's future albums would continue this stylistic trait.